Here’s a starter pack for a successful year ahead. The PP can be adapted to suit, but sets out expectations for the year. Share your class rules with an easily remembered graphic: the hand. Comes with a script and 1st lesson ideas. To fight ignorance, instigate a ‘quote of the month’ that students copy and then explain – whether verbally or written is up to you. Not only does this make them think a bit, model crafted sentences and inspire, but they get to ‘vaguely recognise’ names they should become familiar with. There are two sets of quotes to use on alternate years so that if you teach the same students again you don’t repeat quotes. Finally, for that desperate moment when you need to buy a bit of time, or as a treat after hard work, a ‘word walk’ PP to get them thinking about vocabulary and spelling. Just add a 'word of the week' found by students and your battle against ignorance can begin.

This series is a question by question guide to the non-fiction paper, starting with reading. Each question begins with a ‘quick-fire starter’ when the technique required by the question is practised in its simplest form, usually a very visual text. This gives students confidence. It also keeps the time pressure on so that working quickly becomes a habit. Then the question requirements are explored through the exam board’s directives and again quick and easy examples with answers build up to more demanding practise through the series. Visual texts and Extracts of both 19th century and 21st century texts are used in the series to ensure students are undaunted by older texts. In all cases answers and a simplified mark scheme are provided. Although this series is preparing students for the Eduqas Component two English paper, it can easily be adapted to suit the question style of other exam boards: all have retrieval questions, inference questions etc. The focus of this resource is A3 & A4. The questions are largely similar, though slightly more demanding that A1 & A2, which is why they have been done together. Because work has been simplified to ensure a firm foundation, this task is also suitable for y9s beginning their GCSE work early.

These are the 100 words the DfE claims primary pupils should be able to spell in y3/4 – of course older pupils could do with a bit of revision too. They are divided into groups of five and after five groups there’s a test, But here’s the difference… Being dyslexic myself, I’ve written the words out in a way that makes learning them easier for others with a similar condition – by looking for patterns and words within words – without being a problem to good spellers. Use as a weekly homework, a fill-in starter while you call the register or an occasional filler for a quick worker. At the end of the list there’s a revision opportunity and words to find in a string of letters along with some unscrambling to do. Work is set out for ease of printing/photocopying and teacher’s answers are on the last pages of each set (week 1-5)– print or project as suits. A PP gives end of list answers to the strings and unscrambles. If you do these with older students, just do remember to remove the ‘year’ label with each test to avoid embarrassing them. 6 downloads gives you 5 weeks of daily spelling, 5 tests and 2 revision activities, all self-mark and dyslexia friendly!

The best way to revise unseen poetry is by doing trial exam papers, so here is one in which students compare a sonnet by Sir Philip Sidney with a sonnet by Christina Rossetti. A pp enables you to display instructions while handing out the papers and while doing the peer assessment. Indicative content is given to this end as is a student friendly summary of the bands. Two lessons worth of work here, or a homework and a lesson, plus lots of discussion and revision opportunities.

Something for older students: the lesson begins with a halloween word builder, with answers to self-mark; then there is a reading phase, where students are told about three different divination rites associated with traditional Halloween games. Students will choose one of these as a vehicle for their horror story. Next, they read 4 extracts describing horrific moments, to glean words and phrases they can use, as well as to see there is no need to be gratuitously graphic to create horror. Able and eager students can get straight on with writing, while a work sheet puts the lesson into perspective with 5 clear steps to follow as a planning stage for the story. For those who don't know how to begin, a line from either reading extract [divinations or extracts] will set them on course.

Shakespeare Day this year has the added thrill of marking 400 years since the Bard’s death [or 452 since his birth!]. To help you mark the anniversary, here’s a ‘Where’s Will?’ competition with quotes, student fill in sheets and an answer sheet. Set up the competition school wide, departmentally or as a class activity to get students reading quotes and finding where the action is set. The competition is really easy – its merit is exposure – participants have to find the posters, read a quote and be alert to where the action is set. At the very least they’ll have heard of a few more plays. This activity is easy enough for upper primary pupils. That’s just one activity. On the quotes PP you have a template you can send to students and colleagues on which they can write their favourite Shakespeare quotes [even if it is from the play they are currently studying] to display around the school. Primary pupils could display insults they've generated. Each subsequent slide can be printed [on coloured A3?] to make a display for the classroom or to boost the display around the school. Longer term, there is the set of starter quotes that could introduce students to Shakespeare’s language, as a Shakespeare ‘quote of the half-term’, or for 6 lessons in April… the idea is to get students to think about both the literal and figurative meaning of memorable lines, as well as expose them to a wider range of plays. The ‘fill-in’ version allows you to set the whole task as a one off lesson activity or a self-mark homework. For anyone who has missed the lesson, quotes and answers are available as a paper version too. The Teachers' Guide also provides useful links and ideas. Enjoy a super Shakespeare Day!

5 weeks worth of daily spelling activities and self-mark tests! These are the 100 words the DfE claims primary pupils should be able to spell in 5/6 – of course older pupils could do with a bit of revision too. They are divided into groups of five as 'week 1' etc. with a test at the end of each week. Standard practice, but here’s the difference… Being dyslexic myself, I’ve written the words out in a way that makes learning them easier for others with a similar condition – by looking for patterns and words within words – without being a problem to good spellers. Use as a weekly homework, a fill-in starter while you call the register or an occasional filler for a quick worker. At the end of the list there’s a revision opportunity and words to find in a string of letters along with some unscrambling to do. Some y3-4 words are revisited in the last lists and tests. Tests are also designed to promote proof-reading skills, with 'you be the teacher' adding fun to the process - red pens work wonders here and cut your workload to quick checking , rather than marking. Work is set out for ease of printing/photocopying and teacher’s answers are on the last pages of each set – print or project as suits. A PP gives end of list answers to the strings and unscrambles. Y5&6 have an additional task – words to fill into a script, similar to SATs tests. If you do these with older students, just do remember to remove the ‘year’ label with each test.

The penultimate cluster of resources for this excellent novel. Activities range from PEA paragraphs, creative and autobiographical writing to report writing. Inference and analysis are the key skills practised and even spelling is covered. Teacher notes outline lesson ideas and in some cases task options to suit different class types. At least 4 lessons worth of material.

Assuming you are reading with this brilliant novel with your class in part of the lesson [the chapters are very short] there is something for five lessons, each focusing on both a chapter and a skill. Retrieval and synthesis are practised by writing a police report, while in other tasks sayings, titles, structure and implications are explored through starters, plenaries and PEAL paragraphs. Each task builds on skills visited in previous tasks so that they become familiar and increasingly independent strategies.

Because students work on paper and answers can be printed off so that no computer is needed, this differentiated work is ideal to set as last minute cover . The first set of tasks is linking words with their opposites, choosing from words provided, so that no cumbersome dictionaries are needed, though they can be used if desired. For those who finish that, there is a crossword puzzle. This contains clues from across the ability range, encouraging different abilities to work together and extending mid-ability students.

Ideal for a last minute cover lesson, this task has a separate SEN version of the lesson, but also tasks get more demanding as they go, enabling non-specialist to use differentiation by work covered. Beginning with couplet descriptive sketches choosing words from a box, writing focuses of visual the auditory descriptions. Examples are given throughout, with quoted extracts to stimulate ideas. As a bonus, two extra photographs can be used to repeat the final written task at a later date as exam practice or to provide variety.

This differentiated quiz has 5 direct question as an easy round 1, 'connect 4' as round 2, round3 is 'odd-one-out', round 4 is 'true or false' while word-games will make round 5 slightly longer. the quiz itself will take 20-30 minutes allowing for team discussion, writing of answers and then marking, but it could easily take all lesson depending on the time you allow for the word-games: base that on the interest and ability of the class. Once the quiz has been marked there is the film story writing extension to ensure this fills a lesson, if not more. Further lessons can be spent reading each other's openings and outlines, pitching the best as S&L and then debating which should be made. Who knows, some may even be inspired to make their movies, in time for a Christmas viewing, it does happen when a group of students are keen on movie making in their own time.

Everything you need for a dynamic revision lesson! The lesson plan sets out each step with space for you to fill in your timings. There are 36 quotes to give your students choice and variety - ideal for popping into a ‘hat’ - all with their words in alphabetical order: students have to try to recognise and reconstruct the quote. Poems are identified for those who need help. The next step is to annotate the quote with AOs 2, 3 & 5, then glue it onto A3 for another student to add AO4 texts. Next round, students add AO2, 3 & 5 to those links. Students can photograph the final product on their phones as handy ‘night before’ revision notes - and all this is explained in clear step by step instructions to the students via the Power Point, which has a clear starter, with answers, the main activity explained, a plenary and even a home work task! What’s not to like?!

Here's a little something to challenge your top students: persuasion the classical way. The Ancient Greeks worked out how a persuasive speech should be structured to make it effective, Shakespeare played around with the form in many of his most famous speeches and even Barack Obama's speech writers follow the formula. Along with their connectives and persuasive devices, give your most able a tried and tested structure to lift their persuasive writing above the ordinary. There's a handout explaining the structure, a PP to test it's been understood and a worksheet to guide preparation for students to write their own speeches.

Ideal task for World Space Week! Cover it! Descriptive writing, photo prompt, differentiated w/s, all printed, suits non-specialist. Sometimes you need a class just to get on with it, or you're supplying cover at short notice for a non-specialist - this series covers those times when it needs to be plain and simple on paper, but nonetheless needs to be worthwhile and relevant. In this task students have a picture and have to write a story inspired by it. There are 3 different levels - the simplest provides a frame and even some words to trace for those who can't write legibly and need help coming up with ideas. The next level up has just the prompts and the most able are challenged to go further with some story openings to inspire their creativity. The topic of this exercise is SPACE.

This resource covers two lessons or a lesson and a homework for Chap.3 and . I set the Chapter 3 questions as homework and went over the answers on the PP in class and ended with the newspaper article, but the lesson could as easily begin with the questions and the newspaper article set as homework. Handout sheet 1 has the differentiated questions for homework or independent class work, including a word game for those who enjoy them. The second handout sheet is to help weaker students with the newspaper article. Time taken going over the answers and explaining them will be well spent as even the basic retrieval questions require some thought. Help the students notice how the author gives the reader a lot of information, some of which will be vital clues to future events, but ensures that it is not boring even though very little actually happens. With the newspaper article, emphasise that the factual information comes first, the 'story' is there for those who are interested in more information. Chapter 4's lesson is covered by a PP and focuses chiefly on Sig's character. A word document worksheet allows for 2 levels of help with the task.

Prepare your A-level students for AQA’s Section B unseen poetry question with this trial assessment, including an instruction PP with a link to an outstanding reading of the Keats; student friendly band descriptors; possible content with AOs and, of course, the question, based on both the 2017 and 2018 formulations. Ideal for use in a mock exam or test along with the feedback discussion of how to improve afterwards.

Unseen poetry can seem daunting, especially when it could come from any period. So this resource begins to inculcate a simple, yet effective, strategy for approaching unseen poetry in general, while also focusing on 'Sonnet 65' in particular. The PP runs through the strategy with specific instructions to be followed on the worksheet by students. There are also feedback slides where some points are made as a stimulus - the idea is that students should contribute there ideas. The student worksheet contains the poem to be annotated and some fill in space to consolidate information. Page 2 gives an essay title and information in the guise of notes from 3 students that can be used along with the student's own ideas- this allows for subtle differentiation. The 'lesson plan' sheet is actually notes for the teacher in case they are unfamiliar with the poem. The sonnet handout is a note on the sonnet form, with the same information on A6 to save costs. Be aware that the AQA unseen poetry requires students to compare poems, but as this is a first there is no comparison. More unseen poetry will lead to comparison. Other than that, the question for the essay is modelled on the AQA style task.

Buy the lot at a discount price: 10 weeks' worth of homework or starters to nail spelling. These are the 200 words the DfE claims primary pupils should be able to spell in y3/4 and 5/6 – of course older pupils could do with a bit of revision too. They are divided into groups of five spelling words and after five groups there’s a test, But here’s the difference… Being dyslexic myself, I’ve written the words out in a way that makes learning them easier for others with a similar condition – by looking for patterns and words within words – without being a problem to good spellers. Use as a weekly homework, a fill-in starter while you call the register or an occasional filler for a quick worker. At the end of the list there’s a revision opportunity and words to find in a string of letters along with some unscrambling to do. Work is set out for ease of printing/photocopying and teacher’s answers are on the last pages of each set – print or project as suits. A PP gives end of list answers to the strings and unscrambles. Y5&6 have an additional task – words to fill into a script, similar to SATs tests. If you do these with older students, just do remember to remove the ‘year’ label with each test.

There is so much fantastic stuff out there on Romeo & Juliet there seems no point in more of the same. So this is not about the main thrust of your teaching. What this resource offers is alternatives for differentiation, especially in homework and starters. Budget constraints often mean students can't take the text home and time constraints mean there is little time in the lesson to allow students to engage with the text independently - these tasks try to rectify this by a 'little and often' approach, making starters and homework more 'open' than has been the recent trend. To help you sort out the order of relevance I've numbered the work that clusters together. Hope you and your class can bring a little enjoyment back into studying Shakespeare.